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Making Cumha longer

During the post-production stage of Cumha, we realised that the movie was only coming to about two and a half minutes, which wasn't long enough.
We decided to add more establishing shots during the Dream sequence in Scene 2, the shortest scene, which includes more closeups of foliage. As we approach better weather, more plants are blooming, which gives us a much greater choice of things to include. These extra shots helped creates a calm, tranquil atmosphere, so that the ending is very blunt.
Jane also took extra shots for the opening shot, of a light going on in attic room.









It was suggested that we have shots of The Boy walking to the train station after Scene Two, where he sees other couples, and thinks about The Girl. I, personally, didn't like this idea. The scenes are so neatly divided, and the shots are characteristically sharp, that I thought adding shots of The Boy walking and thinking outside the three set locations would take away from what makes Cumha neat. Also, the longer we see The Boy in reality, the easier it is to guess the ending, as his general demeanour makes it clear that he's not the romantic type. Cumha works best when its neat and vague, and adding too many shots of The Boy in reality ruins this. 

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